Set 1
1. Introduction - (00:00:08)
2. Nr. 1 Slawischer Tanz H-Dur - (00:01:16)
3. Bits And Pieces Are All We May Know About The Music Of Antonín Dvorák - (00:04:03)
4. Nr. 4 Hospodin Jest Muj Pastyr (Der Herr Ist Mein Hirte) - (00:01:32)
5. The Fourth Of Dvorák'S Ten Biblical Songs, Titled "The Lord Is My Shepherd" And Set To A Well-Known Psalm Text From... - (00:02:57)
6. Nr. 6 Slys, Ó Boze, Voláni Mé (Höre Mein Gebet, O Herr) - (00:00:57)
7. Antonín Leopold Dvorák Was Born On 8 September 1841 In The Village Of Nelahozeves, Near Kralupy, In Bohemia, ... - (00:02:48)
8. 4. Allerneueste Periode (Allegro Vivace) - (00:00:37)
9. Reflecting On This Period Of The Composer'S Life, Zubaty (The Czech Writer Mentioned Previously) Wrote: "Seemingly For.. - (00:02:30)
10. 2. Adagio Molto - (00:00:49)
11. Dvorák'S First Symphony, Composed Between February And March 1865, Began Life As A Submission To A German Composition... - (00:01:34)
12. 1. Maestoso - Allegro - (00:01:47)
13. In Early 1865, Dvorák Started Teaching Piano To The Daughters Of A Prague Goldsmith: One Of The Two, Anna Cermáková... - (00:01:24)
14. 1. Assai Con Moto Ed Energico - (00:01:04)
15. Before He Left The Provisional Theatre Orchestra In The Summer Of 1871, Dvorák Was The Subject Of An Announcement In A.. - (00:03:56)
16. Jaky Zvuk To Jest? (Was Ist Dieser Klang?) - (00:00:41)
17. It Seems That Dvorák'S Revision Of The Opera Between 1873 And 1874 Was But Part Of A Larger Stylistic Renovation Being.. - (00:02:05)
18. Nr. 2 Velet', Vtácku (Flieg, Süßer Sänger) - (00:00:44)
19. In Response To Dvorák'S Multi-Composition Submission For The 1877 Stipendium, Brahms Singled Out The Moravian Duets... - (00:02:16)
20. Nr. 1 Slawischer Tanz C-Dur - (00:00:54)
21. While This Style Of Music Might Be Regarded, Somewhat Cynically, As A Kind Of Opportunistic "Tourist Nationalism" (To... - (00:02:47)
22. 1. Allegro Ma Non Troppo - (00:00:57)
23. In August 1883, Dvorák Received A Prestigious Invitation: The London Philharmonic Society Requested His Presence As... - (00:01:21)
24. Stabat Mater Dolorosa - (00:00:53)
25. Dvorák Left Prague For London On 5 March 1884: Eight Days Later He Was Conducting The Stabat Mater In The Royal Albert.. - (00:03:12)
26. 1. Lento Maestoso - Allegro Vivace, Quasi Doppio Movimento - Tempo I - (00:02:00)
27. In 1891, The Same Year Dvorák Completed The "Dumky" Trio, He Took Up The Position Of Professor Of Composition And... - (00:03:19)
28. Te Deum Laudamus: Allegro Moderato, Maestoso - (00:01:31)
29. The Premiere Of The Te Deum Within The Celebratory Concert, Which Took Place On 21 October 1892 At New York'S Carnegie.. - (00:03:11)
30. 3. Scherzo: Molto Vivace - (00:01:27)
31. Following The Premiere Of His Ninth Symphony, Dvorák May Well Have Looked Forward To A Prosperous And Productive... - (00:03:36)
32. 3. Finale: Andante - Allegro Vivo - (00:01:13)
33. The Next - And, Indeed, The Penultimate - Phase In Dvorák'S Compositional Journey Seems To Have Emerged From His... - (00:02:58)
34. Der Wassermann Op. 107 (Sinfonische Dichtung) - (00:01:37)
35. During His Final Years, Dvorák Became The Recipient Of Various Honours... - (00:03:50)
36. Jak Z Dervisovych Prstu Rinou (Während Entzückende Rosenkranzperlen Durch Die Hände Der Derwische Gleiten) - (00:01:40)
37. Dvorák Is Said To Have Departed The Theatre Early On The Evening Of 25 March 1904, During The Premiere Of Armida At... - (00:02:33)
38. Deo Patri Sit Gloria - (00:01:10)