Set 1
1. Introduction - (00:00:08)
2. Nr. 2 Sarabande Nr. 2 - (00:01:03)
3. On 16 January 1911, French Composer Maurice Ravel... - (00:08:16)
4. Nr. 3 Lent - (00:01:41)
5. An Extract From The Third Movement Of Satie'S Gnossiennes... - (00:06:14)
6. Valse Ballet Op. 62 - (00:01:27)
7. The Valse-Ballet Was Not Only Satie'S First Substantial Piece... - (00:02:36)
8. Nr. 1 Ogive Nr. 1 - (00:01:45)
9. In November 1886, Satie Left The Conservatoire... - (00:03:12)
10. Nr. 3 Gnossienne Nr. 3 - (00:00:59)
11. In The Spring Of 1890, Satie Moved Higher Up... - (00:03:50)
12. Nr. 1 Air De L'Ordre - (00:01:35)
13. On 14 August 1892, After A Short But Intense Period... - (00:03:11)
14. Vexations - (00:01:22)
15. Satie'S Outward Appearance Was Soon To Change... - (00:04:15)
16. Morceaux En Forme De Poire (Trois Morceaux) (Für Klavier Zu 4 Händen) - (00:00:45)
17. The Pear Pieces, Finished In November 1903... - (00:01:45)
18. En Habit De Cheval (Für Klavier Zu 4 Händen) - (00:01:16)
19. 1911, Of Course, Was The Year Of The Breakthrough Concert... - (00:03:57)
20. Nr. 1 Choral Inappétissant - (00:00:42)
21. The Commission Of Sports Et Divertissements... - (00:02:01)
22. Nr. 2 Petite Fille Américaine - (00:02:35)
23. There Was Quite A Commotion At Parade'S Premiere... - (00:04:05)
24. Nr. 1 Tapisserie En Fer Forgé - (00:01:25)
25. Curiously, The Function Of Satie'S Musique D'Ameublement... - (00:03:12)
26. Le Chaos (3. Szene) - (00:00:35)
27. Mercure, Like Parade, Created Quite A Stir On It'S Premiere... - (00:03:42)
28. Cinéma (1. Akt) - (00:01:15)
29. In A Sense, Critics' Response To Relâche... - (00:02:40)
30. La Queue Du Chien (2. Akt) - (00:00:36)